A stack of Bibles rests on the keys of the organ. Their weight holds the tones down, forcing the instrument into a sustained cluster of sound. What begins as simple pressure unfolds into a layered acoustic fabric: the cluster is analysed, its spectrum extracted, gently modulated, and returned as a slow drone through a transducer into the wooden body of the organ.
The instrument begins to tremble, the chapel responds with resonances, frequencies overlap, interference patterns emerge. Depending on where one stands, the tones combine differently, amplifying or cancelling each other out. The chapel becomes a vibrational landscape, not only heard but physically encountered. Every step shifts perception: where sound gathers, it takes on an almost tactile presence; elsewhere, a fragile stillness expands. The space ceases to be a static enclosure, instead becoming a living, shifting fabric of sound.
