"IDLEQUANTUMANGST" unfolds in the tense interval between technological promise and human unease. Built from electronically sculpted textures and a restless, shifting spatial architecture, the piece immerses the listener in a world where perception is continuously shaped, filtered, and redirected by the systems that surround us.
At its core lies a question: How does technology recognise the way we inhabit space—physical, social, and psychological? The work’s sonic materials behave like agents within a dynamic ecology: particles of noise that swarm or disperse, tones that slip between registers, resonances that flicker at the edge of intelligibility. These elements do not merely occupy space; they generate it, continually reconfiguring the listener’s sense of orientation. § 1 : ∑⧫• 5‘00‘‘
§ 2 : ø@Q 5‘00‘‘
§ 3 : ∆⧵∅5‘00‘‘
§ 4 : | ƒA 5‘00‘‘
§ 5 : 1∑Q 5‘00‘‘
§ 6 : !iQ 5‘00‘‘
§ 7 : ⊘I3 5‘00‘‘
§ 8 : ⧼∞≡5‘00‘‘
§ 9 : QAΔ5‘00‘‘
§ 10: q#• 5‘00‘‘
§ 11: ∂•≈ 5‘00‘‘
§ 12: I⊗x 5‘00‘‘
