The composition seeks to explore the sculptural presence of 3D sound objects. How can we compose and replicate the "musical counterpart" within mediated space? How can we facilitate the emergence of the plastic sound object? "grrawe" raises questions about the self-localisation of individuals within their virtual sonic environment. It is an ongoing exploration of the perception of movement, distance, and perspective. Where does the composer reside, and where does the listener? Who embodies the role of the composer, and at what point does the "world" come into existence, or retreat from the composer and/or the listener?