No visual medium can fully capture or convey the experiential depth of spatial sound compositions, as the spatial dimension adds a dynamic element to the auditory experience that diverges significantly from the realm of text or imagery. While there have been numerous attempts to visualise spatial compositions, these efforts primarily serve for documentation or to grasp structural aspects, falling short in accurately portraying the emergence of the three-dimensional auditory object. The plasticity of a sound object is exclusively perceived by the ear, constituting an alternative perception of the world. "grafik unten" ponders the possibility of recalibrating the concept that privileges sight over listening and, in its compositional structure, corresponds to a model that owes its organizing matrix to the ear—not the eye.

grafik unten