With this composition, I establish a gestural dialogue between the soloist's performance and spatial sound textures. This involves integrating spatial rhythms and four virtual Ambisonic sources, which the soloist can dynamically manipulate within the Vicon tracking environment. The soloist can move, lift, place, and rotate these virtual sources around the audience during the performance. While the electronic sounds adhere to a fixed timeline reminiscent of traditional analogue tape compositions, the architectural dynamics of the composition within the listening space evolve in response to the soloist's bodily movements. Depending on the soloist's playing attitude upon entering the stage and their subsequent engagement and interaction with the virtual performers, they have the power to alter and vary the piece, even influencing its perceived temporal extent for the audience.