Towards the expanded field in Music and Architecture

07.- 09.03.2018 – Experimental and interdisciplinary approaches to immaterial spatiotemporal environments: Performance, lectures, exhibition at House of Architecture Graz (HDA, AT).

Virtual reality and spatial audio technologies bring about a new paradigm in the fields of architecture and music. While defying classification, works developed in these media extend our spatial and auditory sensibilities beyond what is perceivable in the physical world.
Can we regard them however as architecture and music, or are they foreign to their origins?
Together with architect Constantinos Miltiades I presented our investigations and exhibited works on virtual navigable environments and sculptural spatial audio. The event intended to initiate a discussion with invited space theorist Stephan Guenzel and students on the nature of such explorations, in parallel on future of music and architecture in the expanded field.

More Projects


A spatial sound-composition for Helder Tenor Recorder and IKO. Premiere 25th and 26th October 2018 at Acker Stadt Palast Berlin. “Semaphor” is a spatial sound-composition for two pioneering instruments, which are explored both practically and theoretically by the artists Susanne Fröhlich and gksh: Helder Tenor recorder and the Icosahedral loudspeaker (IKO). If one understands both […]

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gleAM – an ambisonic sound sculpture for BESSY II VSR and an Icosahedral Loudspeaker. A cooperation between researchers of the Department of Accelerator Physics at the Helmholtz-Center Berlin and gksh. Premiere at KONTAKTE Festival, Academy of Arts Berlin on 30.09.2017 and four performances at Helmholtz-Center Berlin on 17.11.2017. Also performed at INSONIC2017 conference at ZKM […]


Installation Art IEM Graz

2015 – Theory seminar on origins, history and practices of (sound-)installation art. Conception and lectures “Wahlfach” computer music at IEM Graz.