2015 – Theory seminar on origins, history and practices of (sound-)installation art. Conception and lectures “Wahlfach” computer music at IEM Graz.
More Projects
Semaphor
A spatial sound-composition for Helder Tenor Recorder and IKO. Premiere 25th and 26th October 2018 at Acker Stadt Palast Berlin. “Semaphor” is a spatial sound-composition for two pioneering instruments, which are explored both practically and theoretically by the artists Susanne Fröhlich and gksh: Helder Tenor recorder and the Icosahedral loudspeaker (IKO). If one understands both […]
Composing Space with Sculptural Sound Objects – Int. Workshop at TU Berlin
12.01. – 14.01.2018 Workshop at Hybrid Lab TU/UdK Berlin.
Masterclass at HAW Hamburg 2018
Composing with Sculptural Sound Phenomena in Virtual Auditory Environments –
gleAM
gleAM – an ambisonic sound sculpture for BESSY II VSR and an Icosahedral Loudspeaker. A cooperation between researchers of the Department of Accelerator Physics at the Helmholtz-Center Berlin and gksh. Premiere at KONTAKTE Festival, Academy of Arts Berlin on 30.09.2017 and four performances at Helmholtz-Center Berlin on 17.11.2017. Also performed at INSONIC2017 conference at ZKM […]
Insonic17 workshop
COMPOSITION OF SOUND SCULPTURES WITH THE AMBISONICS INSTRUMENT IKO
Insonic17 – lecture
VERBALIZING SCULPTURAL SOUND PHENOMENA IN ELECTRONIC MUSIC – TOWARDS A SHARED PERCEPTUAL SPACE (SPS)
Sound Sculpture
Working in the fied of so called “spatialized music” for about 15 years I was asking myself how to describe the phenomena I was producing in loudspeaker environments better, – in other words – how to find descriptions and techniques that are knowledge- and perception-based at the same time? The aim is to find a […]
HFBK Hamburg
25.01. – 27.01.2018 WORKSHOP – HFBK Hamburg Reflections on sound-picture relations: strategies, experiments and fears of loss.
Eadweard’s Ear – Muybridge extended
Eadweard’s Ear-Muybridge extended – an interface for composers, dancers and musicians. The dancers’ movements are transformed in real time into a graphical notation by a specially developed interface. The generated movement data are interpreted by musicians on the basis of a trained compositional structure. In turn, they evoke the immediately resulting movements of the dancers. […]