13.-20.10.2018 – Workshop at OSSA Łódź (PL) with architect and space theorist Constantinos Miltiadis.

The workshop explored architectural sensibilities beyond the visual that the event title VISION suggested. Starting from acoustic field experiments, participants have been called to analyse the emergent sonic dimension of the built environment. Developing an awareness of the essential role that sound plays in our perception and cognition of space, participants experimented with an architectural composition that used sound objects as building material. Contrary to the conceptual sphere of architecture which excludes such phenomena, we proposed an approach intended to deepen the understanding of the non-visual aesthetics embedded in architecture. Introducing readings from various disciplines and working with both temporal and spatial digital media, the workshop fostered to experiment with the spatiotemporal production of our lived environments and eventually develop such prototypes in the virtual reality medium.


Project documentation and publication

More Projects


A spatial sound-composition for Helder Tenor Recorder and IKO. Premiere 25th and 26th October 2018 at Acker Stadt Palast Berlin. “Semaphor” is a spatial sound-composition for two pioneering instruments, which are explored both practically and theoretically by the artists Susanne Fröhlich and gksh: Helder Tenor recorder and the Icosahedral loudspeaker (IKO). If one understands both […]

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gleAM – an ambisonic sound sculpture for BESSY II VSR and an Icosahedral Loudspeaker. A cooperation between researchers of the Department of Accelerator Physics at the Helmholtz-Center Berlin and gksh. Premiere at KONTAKTE Festival, Academy of Arts Berlin on 30.09.2017 and four performances at Helmholtz-Center Berlin on 17.11.2017. Also performed at INSONIC2017 conference at ZKM […]


Installation Art IEM Graz

2015 – Theory seminar on origins, history and practices of (sound-)installation art. Conception and lectures “Wahlfach” computer music at IEM Graz.