works

gleAM

gleAM – an ambisonic sound sculpture for BESSY II VSR and an Icosahedral Loudspeaker. A cooperation between researchers of the Department of Accelerator Physics at the Helmholtz-Center Berlin and gksh. Premiere at KONTAKTE Festival, Academy of Arts Berlin on 30.09.2017 and four performances at Helmholtz-Center Berlin on 17.11.2017. Also performed at INSONIC2017 conference at ZKM […]

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Sound Sculpture

Working in the fied of so called “spatialized music” for about 15 years I was asking myself how to describe the phenomena I was producing in loudspeaker environments better, – in other words – how to find descriptions and techniques that are knowledge- and perception-based at the same time? The aim is to find a […]

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Eadweard’s Ear – Muybridge extended

Eadweard’s Ear-Muybridge extended – an interface for composers, dancers and musicians. The dancers’ movements are transformed in real time into a graphical notation by a specially developed interface. The generated movement data are interpreted by musicians on the basis of a trained compositional structure. In turn, they evoke the immediately resulting movements of the dancers.  […]

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wiretapped voids cologne

2013 – 2015 – 14 tracks, 1 Booklet. Originally we were searching for the last building in the series of works {kA}: Oblivious to Gravity in Cologne. For this we received a generous funding by the SK-foundation Cologne. But for 1,5 years it seemed to be impossible to find a vacant building or better to […]

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mirage 1-6

2015 – 2016 mirage 1-6 – sculptural spatial-soundcomposition for an Icosahedral Loudspeaker. A series of works that were created as part of the doctoral thesis Composing with Sculptural Sound Phenomena in Computer Music is based on the experiences from grrawe, firniss and graphic below but establishes a complete different approach to spatial composition. The new […]

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{kA}: Oblivious to Gravity

2010-2015 {kA}: Oblivious to Gravity – series of a building sound composition. >kavs Starting from Graz, six vacant buildings in different European cities were utilized as sound spaces and understood and experienced as an integral part of multi-channel sound compositions. Therefore a series of compositions with and in these buildings was created. Furthermore, empirical values […]

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passing places

Daniel Burkhardt and gksh Edition 20 & 2AE, 2015 8’00” 12 inch I 45 rpm I A side The Edition passing places was created on the occasion of the eponymous exhibition by Daniel Burkhardt at Bruch & Dallas.

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neodym cycle

2014 neodym cycle – published on the DEGEM CD Seltene Erden – Rare Earths Neodym belongs to the group of rare earths. Special property: Strongly magnetizing. Application: Design of super-strong magnets like Neodym-Iron-Bor-Magnets, strong magnet fields for small volumes: Turbines or highly effective electro motors, microphones or loudspeakers in smartphones, operators (hybrid- und electro-motors), enamel […]

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Darmstaedter Summer Courses

03.08.2014 Lecture on strategies, techniques and mysteries of the series of works {kA} : Oblivious to Gravity {kA} : keine Ahnung von Schwerkraft“ Building Sound Compositions with vacant buildings in (half-)public spaces

disloyal and treasurable practices

2012-2013 disloyal and treasurable practices – a composition for earplugs and changing environments. Music becomes a pacing device, a screen to block out noises of the environment. In a world in which passive listening is often the norm, the success of any music made intentionally to be listened to actively is endangered. (LEIGH LANDY, The […]

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schlachtschiffgrau – battleship grey

2013 schlachtschiffgrau – an eight-channel sound installation for busy museum spaces for Glenn Gould Sound as a spatial camouflage – the noise and the time structure from Gould’s recordings of the Goldberg Variations as aural architecture

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